After 2 and a half years Naruto finally returns to his village of Konoha, and sets about putting his ambitions to work, though it will not be easy, as He has amassed a few (more dangerous) enemies, in the likes of the shinobi organization; Akatsuki.
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The book's few isolated sublimely creepy sequences owe their existence entirely to the fact that Abe's skill as an illustrator far outstrips his skill as a writer. Carefully textured and almost insanely detailed, his art is at times really, truly freaky, especially his habit of delving into hyper-realism during the book's most disturbing moments. His world of lurking shadows and fleshy horrors is suitably nasty, and Takashi's dream-worlds are impressive visual inventions (especially one in which a giant butterfly is torn to pieces by a room full of flesh-eating worms).
His love of skewed angles and disturbing imagery often gets the better of him though. Facial expressions, though meticulously drawn, are so extreme and so skewed that scenes intended to be intense become merely over-ripe—Takashi in particular is more cheesy than scary, always grimacing, gritting his teeth and stretching his face this way and that. And squeamish readers beware, the book earns its mature rating with a pair of graphic rape scenes (at least one of which is entirely gratuitous) and more lovingly-rendered dismemberments than anyone would care to count.